Monday, 9 November 2009

The Progeny Festival Returns!

The Assembly in association with The Classic Rock Society are pleased to announce....

Progeny 3 – The Return

A festival of progressive rock music to be staged at the fantastic, 1,000 capacity, Assembly in Leamington Spa, Warwickshire, England http://www.leamingtonassembly.com/

2 Days – 10 Bands

Saturday 8th/Sunday 9th May 2010

3.00-11.00pm

Weekend tickets £40 (£35 to CRS members)

Day tickets £22.50

Chris Alexander used to be the bookings manager of the historic Astoria Theatre in central London. In 2003/4 he organised Progeny 1&2 which featured, among others, In Cahoots, Pallas, IQ, The Enid, Pendragon, Jan Akkerman, Amon Duul, Man, Jadis, Audience, Fish & Carl Palmer.

Following the sad demise of that great venue, Chris has moved on to the newly refurbished and beautifully equipped Assembly and has teamed up with the CRS http://www.classicrocksociety.co.uk/ to bring this great festival back to life.

Keep your eyes peeled as band announcements, ticket purchase details, hotel information and a host of other stuff will be posted regularly from now on.

We are proud and excited to be able to offer this opportunity for the worldwide prog community to come together and enjoy a weekend of top quality progressive music in all its guises (not to mention partying!)

Friday, 6 November 2009

2009 Gig Update

We have a couple more gigs coming up this year. On 14th November (next Saturday) we have a Jump double at the Wesley Centre in Maltby. John Dexter Jones and the Steven Twins will get things underway with an unplugged set, then we will have a full electric set from the whole band.

Pallas will be at Montgomery Hall, Wath Upon Dearne, on Friday 4th December. The new material premiered at Summers End was fantastic and fans of The Sentinel will not be disappointed! Support for this gig comes from High Spy.

Tickets for both gigs can be purchased from this site or from the CRS office.

Unfortunately the Manning gig booked for Saturday 12th December has had to be postponed until the spring. We will advise you of the new date as soon as it is confirmed.

Friday, 23 October 2009

CRS October Festival - this Saturday!

These are the provisional times for Saturday 24th October. As always they are subject to change on the day.

Doors: 4:30pm

5:00-5:45
Mermaid Kiss

6:05-7:05
Tinyfish

7:30-8:45
Knight Area

9:15-11:00
Breathing Space

The CRS office will be closed from 3pm today (Friday) but tickets will be available on the door.

Thursday, 8 October 2009

CRS Shop

The shop is back online for tickets and memberships.

Thursday, 1 October 2009

Shop problems

As you may have noticed the CRS shop is currently out of action. We are working to get it back as soon as possible, but in the meantime you can still place orders by phone on 01327 310088.

Monday, 7 September 2009

Manning - Tall Stories for Small Children on Itunes


Manning have started to release the entire back catalogue on itunes and napster, starting today with Tall Stories for Small Children - the 1999 debut album - containing the epic Fall and Rise of Abel Mann and the live favourite Holy Ireland.

Future releases include Songs from the Bilston House in November and Number Ten in December.

Friday, 4 September 2009

New Panic Room Album

Panic Room have completed the recording sessions for their 2nd album entitled ‘Satellite’. The songs were recorded and are currently being mixed by Tim Hamill at Sonic One Studio (where the band’s debut album, ‘Visionary Position’ was mixed) and the new album will be mastered by Tori Amos’ engineer of choice, Jon Astley, at Close To The Edge in Twickenham. The band were so pleased with the excellent results produced by both Tim and Jon on Panic Room’s debut album that they were delighted to be able to work with them again on the new release.

Panic Room have maintained their eclectic approach with music ranging from the Sci-Fi metal of ‘Dark Star’ to the chilled out summery shimmer of a song like ‘Sunshine’ (with echoes of Air/Zero 7). Anne-Marie Helder’s singing on these songs has never been better and lyrically too, she’s on a real high, from the social commentary of songs like ‘Yasuni’ and ‘Picking Up Knives’ to the playfulness of ‘I Am A Cat’ where her feline side gets to flex it’s claws! Live favourites like ‘Into The Fire’ and ‘Go’ are also included and transformed. ‘Freedom to Breathe’ and ‘5th Amendment’ show off the band’s ability to craft epic rock songs with hooks, riffs and choruses that will instantly stick in your head and not let go, while title track ‘Satellite’ is a huge ambient spacey ballad that opens out into the most gorgeous chorus. For those who loved VP’s quieter moments like Moon on the Water and Firefly, ‘Muse’ features another achingly beautiful vocal performance from Anne-Marie as well as a gorgeous piano duet with Jon.

‘Satellite’ will be available from all good retailers and on-line stores as a single 11-track album later in the year, but pre-orders of the Special Edition are now being taken from www.panicroom.org/satellite.htm, where you can also hear and download a teaser compilation of snippets from the ‘mixes in progress’ of ‘SATELLITE’. The trailer can also be heard on www.myspace.com/panicroomuk

The Special Edition is a deluxe version with expanded lyric booklet and also includes a bonus disc featuring 4 new songs recorded at the ‘Satellite’ sessions, but not included on the standard edition of the album. This edition will only be available from the band’s website and at live gigs.

The 1st 50 pre-orders received will get a signed copy of the special edition. All pre-orders received will also be entered into a draw & 1 lucky winner will receive 2 free tickets to the Panic Room gig of their choice and a signed ‘Visionary Position’ promo pack.

Pre-orders will be package and postage FREE.

Pre-orders will be mailed out as soon as the album is back from the manufacturers (we expect this to be by the end of October) and will be weeks before the standard edition is officially released.

LIVE DATES:
You can catch Panic Room performing songs from ‘Satellite’ & ‘Visionary Position’ live on the following dates;
SEPT
11th (Friday) The Venue, Stocksbridge, Sheffield
12th (Saturday) The Peel, Kingston upon Thames
13th (Sunday) Milkwood Jam, Swansea
18th (Friday) The Duchess, York
19th (Saturday) The Flowerpot, Derby
20th (Sunday) The Marrs Bar, Worcester
OCT
23rd (Friday) The Limelight Theatre, Aylesbury (Support: Jump)
Nov
13th (Friday) Esquires, Bedford

Wednesday, 2 September 2009

Concert Review: Jeff Beck, Royal Albert Hall, London - 4 July 2009

It is Sunday, 5 July 2009. The sun has come out and reflects strongly on the buildings, windows, buses, and cars below as I gaze from my hotel room. I'm interested to hear who Kirsty Young's castaway will be this morning on "Desert Island Discs". As I drink tea I'm pleased to hear it is the impresario and promoter, Harvey Goldsmith CBE - Jeff Beck's manager from January this year. I sit down and listen. As he speaks, it is clear he is knowledgeable, intelligent, determined, temperamental, someone who deals with conflicts and obstacles swiftly and effectively, and has a talent for organisation, and getting things done.

I am intrigued regarding his choice of music ranging from "Kasmir" (Led Zeppelin), "Baba O'Reilly" (The Who - his favourite 'live' band at their peak with Keith Moon), to the live version of " Nadia" of Jeff's amazingly, successful DVD/CD, Performing This Week - Live At Ronnie Scott's. His insights into the music industry, management, and the organisation of large-scale events proves compelling. Indeed, his passionate statements that Jeff Beck is a "genius," and that "... the artist has to change emotions inside you. Few musicians have this ability ..." are painstakingly legitimate.

Jeff Beck has become one of the most striking performer's in the history of the guitar. While he has played the guitar for several decades he continually seeks new ways to ply his art, develop, and renew his music. Indeed, his musical output, and guitar playing, is a delicate fusion of all the influences he has sought, explored, and absorbed. He is a guitar player with a "real" difference who tends not to sound bland. No easy task.

Jeff's return to The Royal Albert Hall has attracted fans from around the globe. Outside the venue I spoke to some people who had traveled from Sweden, Italy, and New Jersey. An exuberant, tribal gathering had come to secure Jeff's place as one of rock's genuine icons. Inside, the hall was packed to capacity; the audience murmured with expectation. I was fortunate to be seated in the eighteenth row with a clear view of the stage.

From the moment the band took to the stage, and began the whispered, rhythmic accompaniment to "Beck's Bolero" - Jeff entered "stage right" clad all in white, playing the melody on his cream and white strat - it was clear the sound was warm and mixed to perfection. Not as loud as in Belfast, but the band performed with incredible confidence, bar some momentary glitches. While Jeff's confidence is clearly at an all time high - long may it last - there were moments during the concert when Jeff - and fellow band members - appeared overly conscious and, to a degree, overawed by the intimacy and atmosphere of the occasion. However, an exchange of smiles, a flurry of nimble fingers, and drum sticks, restored calm, and once more the band scaled new heights of musical triumph.

The hypnotic rhythm to "Pump" made you want to clap your hands, stand up, and rush the stage. Not acceptable behavior at the venue, I'm sorry to say. However, the combination of Tal Wilkenfeld's bass playing and sound, combined with Vinnie Colaiuta's drumming was intoxicating. Then Jeff entered with his beautiful tone, melodies, and virtuosity which the rest of the group complemented, driving him to play licks that astound, confound, inspire, taking you on a beautiful journey.

A run of songs let Jeff and the band explore different rhythms and sounds which were a delight to the eyes and ears. From the achingly beautiful melodies and rhythms, of " Behind the Veil," "Angel," and "Nadia," to wonderful, intricate, drumming by Vinnie, the characteristic weaving of lines by Tal on her bass, overlaid with keyboard voicings by Jason Rebello, made "Space Boogie," and "Led Boots" alternatively sweet and nasty. Sometimes the music appeared to be stretched in a particular direction - like an elastic band - to a point where it is about to break, then it turned, and retracted in another direction. Jeff continually displayed an ability to play with restraint and subtlety, without losing intensity.

Sometimes when Jeff plays the introduction to "Goodbye Pork Pie Hat" I wish he would play the full version as included on the Wired album, and play "Brush with the Blues" separately. Tonight belonged to Jeff and his band, and perhaps my preference for only "one guest" on stage was at variance with others in attendance. So be it.

After a great, fast, rocky version of "Blue Wind" the band was joined by Imelda May to sing "Lilac Wine," (a song written by James Shelton in 1950). In my opinion, however, Imelda does not possess the raw, haunting voice required to create the emotion and passion the song deserves.

The music Jeff and his band played tonight went beyond black and white. It contained a myriad of different colours and shades that danced and stimulated an engrossed audience. Jeff, Tal, Vinnie, and Jason bowed, and left the stage amid resounding applause, and a standing ovation. Tonight Jeff, and his band not only touched the hearts of the faithful, but - I believe - those witnessing them for the first time.

For two of the encores, Jeff and his band were joined on stage by David Gilmore to perform "Jerusalem," and "Hi Ho Silver Lining". Some fans speculated that Jimmy Page, or Eric Clapton, would participate at the event. In the end David Gilmore proved to be a good choice. Both guitarist's seemed to enjoy playing together, and while each has a distinctive style and tone, they proved inventive, and appeared to play their guitar's without effort. Jeff returned and played "Where were You" His performance was emotional and beautiful.

After the show I walked to the stage door where a considerable number of fans were waiting for Jeff to sign albums, CDs, DVDs, and other memorabilia. Most people seemed to be singing or humming "Hi Ho Silver Lining," while others' talked about the emotional and entertaining performance. I heard strands of, "How does he play like that?"

Several fans took photographs of Jeff's set list I had acquired from the stage. I was aware an "after-party" may be in progress to celebrate the success of the event for Jeff, the band, the crew, and organisers'. Needless to say, some fans had flights to catch in the middle of the night. I caught the bus to King's Cross, and made my way to Islington. As I walked, the breathtaking music from the concert flooded through my mind.


Jeff's Set List



Jeff, Vinnie, Tal, and Jason


The band in full flow

Thursday, 27 August 2009

October Festival Line-Up Complete

The line-up for the October Festival at Montgomery Hall has now been confirmed!



Breathing Space will make a welcome return the CRS stage on Saturday 24th October heading up a bill of four great bands. A new Breathing Space album "Below The Radar" is out now.


Dutch proggers Knight Area also have a new album "Realm of Shadows" and will be making their second visit to the UK, their first to the CRS.


Tinyfish are virtually CRS veterans having played for us at Riga in Southend and at the Cambridge Rock Festival. This time they finally make it up North.


Mermaid Kiss (photo: Chris Walkden), whose critically acclaimed 2007 album "Etarlis" was very well received by CRS members, will be opening the show.

Doors will open at 4pm. Tickets will be on sale very soon and will be priced at just £16, or £13 to members in advance.

http://www.breathingspaceband.info/
http://www.knightarea.com/home.php5
http://www.tinyfish.org/index.php
http://www.mermaidkiss.co.uk/index.htm


Sunday, 23 August 2009

Concert Review: Jeff Beck - Ulster Hall, Belfast - 30 June 2009

Belfast is anything but dull. The city centre oscillates between menace and refurbished high culture. The recently renovated Ulster Hall is a fitting venue for Jeff Beck's first concert in Ireland. The Victorian Hall has played host to some of the finest artists and groups to grace this planet, including Rory Gallagher, Taste, Led Zeppelin, The Kinks, and Fleetwood Mac with Peter Green. I'm sitting in the sixth row - centre stage - I give in to nostalgia, and think of some of the great concerts I have experienced at this venue. I visualise the artists', and hear fragments of their music with each beat of my pulse. After the support act, the absence of a vocalist, you feel, will not be missed when the main act takes to the stage. The auditorium is silent, in semi-darkness, the stage looks larger. I gaze at the red backdrop which creates a sunken world of calm and expectation. The lights dim.

Tonight - a sold-out audience - is treated to an absorbing performance by Jeff Beck and his powerhouse of a band incorporating drummer, Vinnie Colaiuta; keyboardist, Jason Rebello; and bass guitarist, Tal Wilkenfeld. Time to forget the 'Credit Bubble', the Internet, DVDs, CDs, vinyl - most fans, music lovers, want to see their musical heroes in the flesh. And there is no substitute for the atmosphere, tension, and emotion, an inspired and engaging band can generate live in concert.

The success of Jeff's recent release, "Jeff Beck: Performing This Week - Live At Ronnie Scott's" on DVD, Blu-Ray and CD, the celebrated performance at the "Crossroads Guitar Festival" in Chicago, 2007, Jeff's induction into the Rock and Roll Hall of Fame on 4 April 2009, and new management - Harvey Goldsmith - have helped to invigorate Jeff's career, and standing in the music industry.

Tonight, Jeff walks onto the stage dressed in black, with a white scarf draped around his neck, and cradling his cream and white stratocaster. The applause is deafening, heartfelt. I believe Jeff and the band are genuinely taken aback by the warm reception. The band starts the performance with "Becks Bolero" and it is clear the sound balance is excellent, and each band member is crystal clear in the mix. Somehow, Jeff and his band make the music sound fresh, as if woven for the first time.

What makes a good performance? Perhaps, dialogue between the musicians on stage. While creating their own voice and space - each musician, tonight - seems to bend and shape the music to maximum effect, and the combined output goes straight to your emotions, your soul. Something, not all musicians achieve.

Vinnie and Tal begin the hypnotic rhythm to "Pump", and Tal's bass sound is beautifully warm; you could listen to it all night. A lot of people comment on her playing - which speaks for itself - but the diverse tones she gets from her bass, amps, and effects pedals are astounding. During the sixteen-number set it is evident the deep intuitive skills displayed by Vinnie, Tal, and Jason, provide a strong canvas for Jeff to paint a colourful array of sounds from his guitar.

Jeff plays with warmth, finesse, and an impish quality which permeates the group, and creates an extraordinary bond with the audience. The band truly seem astounded by the warm reception after each song, and exchange smiles. A great version of 'You Never Know ' follows, which sets the high standard of musicianship, and sound, that Jeff and his band reach during the rest of the performance.

Who could not be moved by the sublime 'Cause We've Ended as Lovers' - beautiful sounds and melodies emanating from Jeff's guitar, and inspired soloing by Tal. It digs deep into the twilight room of the soul, creating a dizzy sense of magic. Does music get better than this? I doubt it. During the set Jeff moves around the stage, sometimes changing direction when the music changes course. Periodically, he exchanges a cheerful smile with a fellow band member, and continues to play his guitar with a naturalness few guitarist's attain. Each song was a highlight. If music is a dream, then this has been one of the greatest of them all.

Jeff Beck has risen above his contemporaries and peers. Eric Clapton expired, suffocated by his own tediousness. Jimmy Page was there, but can't repeat it. The Led Zeppelin albums, however, remain a testament to his genius, and that of Robert Plant. Jeff was always there, without thinking about it. He is a consummate musician by profession - always has been - now he wears the 'Crown'. Tonight, great music was played by great musicians, fronted by a guitarist who can truly be called a genius. Jeff and the band were visibly moved by the two 'five minute' standing ovations they received.

After the concert Jeff, Tal, Jason and Vinnie, were generous with their time, and were in great spirits. Along with many others, I hope they return to the Ulster Hall, and Belfast soon. The warm and passionate reception received tonight, awaits them again.


Jeff Beck's Set List, Belfast




Jeff Beck signing Set List





Tal Wilkenfeld and Ronnie Kerrigan - Stage Door, Belfast



Tal Wilkenfeld and Ronnie Kerrigan - Stage Door, Belfast




Tal Wilkenfeld

Thursday, 13 August 2009

Strawbs 40th Anniversary Concert

The Strawbs celebrate their 40th year this year with a special weekend of concerts at The Live Room, Twickenham Stadium on Saturday 12th and Sunday 13th September 2009

Day tickets are now available and the line up is as follows:

Saturday 12th September - Ticket price £42

Start time: 2pm; Finish time: 10pm; Check-in: 12 noon

RICK WAKEMAN AND DAVID COUSINS
First appearance as a duo in over 20 years

STRAWBS
‘Heartbreak Hill’ line-up featuring Andy Richards, Jo Partridge, and Tony Fernandez

JOHN FORD
Strawbs 1970-1973 | Hudson Ford | The Monks

STRAWBS
‘Blue Angel’ line-up featuring Blue Weaver and Brian Willoughby

CRY NO MORE
Roy Hill and Chas Cronk relive the EMI hits

ZEUS
Dave Lambert‘s new band with Graeme Taylor, Tom Leary and Jon Davie

DAVID COUSINS AND IAN CUTLER
Strawbs songs with the purple fiddle from Feast of Fiddles


Sunday 13th September - Ticket price £37

Start time: 1pm; Finish time: 8 pm; Check-in: 11 am

STRAWBS
Current line-up with David Cousins, Dave Lambert, Chas Cronk, and Rod Coombes
featuring Oliver Wakeman, Rick’s eldest son, fresh from a US tour with Yes,
with the support of strings and brass from the Royal Artillery Orchestra,
arranged and conducted by Robert Kirby

FIRE
1960s psychedelia from Dave Lambert, Dick Dufall, and Bob Voice

ACOUSTIC STRAWBS
David Cousins, Dave Lambert, and Chas Cronk with special guest Sonja Kristina

CATHRYN CRAIG AND BRIAN WILLOUGHBY
Nashville singer songwriter with virtuoso guitarist Brian Willoughby

BLUE ANGEL ORCHESTRA
David Cousins’ other band featuring Ian Cutler, Chas Cronk, Melvin Duffy and Chris Hunt

STRAWBERRY FOOLS
The Strawbs fans’ own Strawbs tribute band

Full ticket details can be found at:
www.witchwoodrecords.co.uk


Tuesday, 4 August 2009

Manning Announced For RoSfest 2010


RoSfest is pleased to announce Manning this eight piece band led by maestro Guy Manning will be playing the second slot on Saturday May 1st. The band Manning has been around since 1999, formed around the prodigiously talented singer / songwriter / multi-instrumentalist Guy Manning. Having previously been an associate of prog legends Parallel or 90 Degrees and being a founder member of the internationally respected, The Tangent, Guy has an impressive record of releasing ten studio albums in ten years! Manning produce an eclectic mix of music which broadly falls within the “progressive” genre, but in reality spans many different musical forms from beautiful ballads and folk-tinged songs through to awesome all-out rock workouts and true progressive epics – no two songs sound the same! The band is currently experiencing a surge of interest and support, with the previous album “Songs From The Bilston House” having been nominated for Album of the Year by the Classic Rock Society (CRS) and a series of storming headline gigs in support of the latest and critically acclaimed album “Number Ten”.

Highlights of the band’s tenth anniversary year will be an appearance at the 2009 Cambridge Rock Festival and the planned recording of a live album later in the year.

Other members of Manning are Dave Million (lead guitars), Phil Wilkes (keyboards), Kris Hudson-Lee (bass), Dave Albone (drums and percussion), Kevin Currie (rhythm guitars and backing vocals), Julie King (additional keyboards, percussion and backing vocals) and Steve Dundon (flute and other blowable things)- producing a wonderfully full symphonic sound on stage.

For a complete bio of the band head over to the RoSfest website and check out the Manning web page at http://rosfest.com/Performers-2010/Manning.htm There are two MP3’s posted on the same page near the bottom featuring Understudy - Songs From The Bilston House - 2007 & - Ships from Number Ten - 2008.

You can also head over to their myspace site and listen to sound samples of their new album “Number Ten” http://www.myspace.com/guymanning

Manning website - http://www.guymanning.com/
Manning Myspace - http://www.myspace.com/guymanning
Check out the band's bio and MP3 - http://rosfest.com/Performers-2010/Manning.htm


--------------------------------------------------------------------------------

Monday, 20 July 2009

The CRS has a new home

The Classic Rock Society now has a new address and telephone number.

You can now write to the CRS at:

CRS
PO Box 7487
Daventry
NN11 1EG

The new office telephone number is 01327 310088.

Sunday, 19 July 2009

Unitopia announced for RoSfest 2010

RoSfest is excited to be bringing our first band from down under! Australian band Unitopia will be making their United States debut at RoSfest 2010, playing the second slot on Sunday May 2nd.

Unitopia is a musical adventure comprising the vocal/song writing skill of Mark Trueack, the production/song writing/keyboard/engineering & vocal skill of Sean Timms, the guitar & vocal prowess of Matt Williams, the bass and vocal talents of Shireen Khemlani and the combined drum/percussion batteries of Jamie Jones and Tim Irrgang.

Unitopia endeavors to draw from the heart and soul of the listener through thought provoking topics such as environmental awareness, political and social upheaval, media misrepresentation, the hectic pace of life and human relationships in a positive and uplifting light. Using progressive rock as a framework, Unitopia's music includes elements of world, classical, jazz, heavy rock and groove.

To date Unitopia has two studio recordings the 2005 release "More Then A Dream" and the 2008 release "The Garden". Both albums have received great reviews worldwide. Unitopia is currently in the studio recording new tracks for their upcoming new album "Artificial", which is expected to be released in the Spring of 2010, just in time for RoSfest. For a complete bio and MP3 downloads go to http://rosfest.com/Performers-2010/Unitopia.htm

Unitopia is excited to be playing our festival and we can't wait to see them play live!

Unitopia website - http://www.unitopiamusic.com/
Unitopia Myspace - http://www.myspace.com/unitopiaband
Check out the bands bio and MP3 - http://rosfest.com/Performers-2010/Unitopia.htm
Cheers!
Iggy
Rites of Spring Festival - April 30th, May 1st & 2nd
www.rosfest.com

Thursday, 16 July 2009

Solstice on Saturday


A reminder that the last CRS gig before out traditional summer break takes place this Saturday, 18th July, and features the wonderful Solstice. Please note that there is now NO SUPPORT for this gig, which takes place at the Wesley Centre in Maltby.

After that we will be at the Cambridge Rock Festival on 6th-9th August, where Solstice will be joining us again as headliner on the CRS stage on the Saturday.